Sue Grafton, a prolific author of detective novels known for an alphabetically titled series that began in 1982 with “A Is for Alibi,” has died. She was 77. Ms Grafton had cancer. Her daughter Jamie announced her death on the author’s website and FB page.
“The alphabet ends at ““Y is for Yesterday”” She was adamant her books would never become movies or TV shows. No ghost writers to finish the alphabet.”
“Out of the deep abiding love and respect for our dear sweet Sue, as far as we in the family are concerned, the alphabet now ends at Y.” She did how ever name the last book “Z Is for Zero” but lacked the energy to work out her plans for her final venture.
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“Ghosts don’t haunt us. That’s not how it works. They’re present among us because we won’t let go of them.” ― Sue Grafton, M is for Malice
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“Except for cases that clearly involve a homicidal maniac, the police like to believe murders are committed by those we know and love, and most of the time they’re right – a chilling thought when you sit down to dinner with a family of five. All those potential killers passing their plates.” ― Sue Grafton, A is for Alibi
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“We all need to look into the dark side of our nature — that’s where the energy is, the passion. People are afraid of that because it holds pieces of us we’re busy denying.” ― Sue Grafton
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The darkest and most disturbing case report from the files of Kinsey Millhone, Y is for Yesterday begins in 1979, when four teenage boys from an elite private school sexually assault a fourteen-year-old classmate—and film the attack. Not long after, the tape goes missing and the suspected thief, a fellow classmate, is murdered. In the investigation that follows, one boy turns state’s evidence and two of his peers are convicted. But the ringleader escapes without a trace.
Now, it’s 1989 and one of the perpetrators, Fritz McCabe, has been released from prison. Moody, unrepentant, and angry, he is a virtual prisoner of his ever-watchful parents—until a copy of the missing tape arrives with a ransom demand. That’s when the McCabes call Kinsey Millhone for help. As she is drawn into their family drama, she keeps a watchful eye on Fritz. But he’s not the only one being haunted by the past. A vicious sociopath with a grudge against Millhone may be leaving traces of himself for her to find. . .
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